​Erasure of a Teenage Daughter’s Letter to Her Deported Mother
 
Mom,
 
It’s been a long time since                                          .
I           think                      how long                          
      photo album we made                             that summer.
Do you                  the copy I gave you?
Or did they take it              too? I still have mine.
some of                       are torn --
I couldn’t stop             shaking hands from   
the afternoon you left.
 
One photo                   is whole —                  we hold hands
at the peak of that North Carolina mountain, out of breath
and trembling;                   wind shoves our clothes against skin, but
we ground our feet on                         soil beneath us and
refuse to fall.  I wonder if we could have                           .
 
Maybe you wouldn’t                           other side
of a man-made border. Maybe I wouldn’t                     vomit
questions on                crumpled paper:
Did the air           different when you crossed               ?
Did you feel      future                        ,                                   ,
and                                  slip out of your hands?
Did you even notice                your foot crossed south? 
Are you                       less          an outsider back there?
Or                    still a traitor that tried              
and failed? 
 
Love,

Karen Gonzalez-Videla is an undergraduate student at the University of South Florida. She is currently pursuing a Bachelor’s Degree in Psychology and Creative Writing, and she loves combining these two passions in her fiction. Although she writes about a variety of subjects, she focuses mostly on the immigrant experience and the exploration of one’s womanhood. She has upcoming work at Sidereal Magazine, Ghost Parachute, and Vita Brevis Press. 

By Bianca Paz

In my backyard is a fence,
It divides mothers from children,
It divides the collective art form of society,
It divides Mexico from US,
It divides.

“They take away our jobs,” they say
But when they are asked to clean the school hallways,
“It is someone else’s job for lower pay.”

Land of the free
But in order to flee,
Take a number please,
You are number one million, two hundred and six thousand, five hundred three.

You wait for years, but are still denied
They don’t understand you just need a place to hide, but
Unfortunately you have a cousin on red, white, and green’s lower south side.

All you want is a better,
Life
Without guns yelling outside your front door,
Without murders and neighbors being turned into whores,
Without the constant suffocation of this drug war.

In my backyard is a fence,
It divides mothers from children,
It divides the collective art form of society,
It divides Mexico from US,
It divides.
Life from death.

But they will not let you cross to,
Live. ​
​

​Bianca Paz, who grew up in Brownsville, Texas, is enrolled at Concordia University, Austin, Texas, toward a major in communications and a minor in writing, which includes both non-fiction and fiction stories and poems. She is Editor-in-Chief of the school’s student magazine, “The Spin.”

El Rinconcito, the little corner, is a special niche in Somos en escrito for short literary works: single poems, essays, short stories, flash fiction, young writers, and the like. Submit manuscripts to somossubmissions@gmail.com. ​